Featured Projects

The Left-Handed Girl is a restrained, observational drama from director Shih- Ching Tsou (Take Out), produced by Sean Baker (Red Rocket, The Florida Project). Set in contemporary Taiwan, the film follows a young woman drifting through a maze of service jobs and unseen labor, capturing the quiet solitude and subtle resistance of her daily life. With minimal dialogue and striking visual composition, the film explores themes of invisibility, gender, and survival in a changing society. Meditative and humanistic, The Left-Handed Girl is a poignant reflection on autonomy, alienation, and the fragile dignity found in ordinary moments.

The Darkest Miriam is a lyrical, psychologically charged drama about a reclusive librarian whose quiet life unravels after she begins receiving cryptic messages about a child she never had. Starring Britt Lower (Severance) and Sook-Yin Lee (Shortbus), and executive produced by Charlie Kaufman, the film blurs the line between memory and reality in a world touched by mysticism and emotional isolation. Intimate, surreal, and emotionally raw, The Darkest Miriam is a meditation on loneliness, legacy, and the quiet hauntings of the self — told with striking visual elegance and a deeply human touch.

Eephus is a meditative ensemble drama set during a single late-summer baseball game, where a group of aging men gather for one final outing. Shot on 16mm, the film captures the quiet rituals and fading traditions of small-town America — a portrait of a country in quiet transition. Beneath its stillness lies a deeper reflection on a changing world: as America looks inward and long- standing customs recede, a new cultural gravity emerges globally, increasingly shaped by Asian perspectives and values. Eephus offers a poetic, understated meditation on memory, masculinity, and the shifting tides of relevance and identity.